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  Books. Change. Lives.

  Copyright © 2022 by David M. Barnett

  Cover and internal design © 2022 by Sourcebooks

  Cover design and illustration by Elizabeth Turner Stokes

  Internal design by Ashley Holstrom/Sourcebooks

  Sourcebooks and the colophon are registered trademarks of Sourcebooks.

  All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems—except in the case of brief quotations embodied in critical articles or reviews—without permission in writing from its publisher, Sourcebooks.

  The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

  All brand names and product names used in this book are trademarks, registered trademarks, or trade names of their respective holders. Sourcebooks is not associated with any product or vendor in this book.

  Published by Sourcebooks Landmark an imprint of Sourcebooks

  P.O. Box 4410, Naperville, Illinois 60567-4410

  (630) 961-3900

  sourcebooks.com

  Originally published as The Handover in 2021 in Great Britain by Trapeze, an imprint of The Orion Publishing Group Ltd. This edition issued based on the paperback edition published in 2021 in Great Britain by Trapeze, an imprint of The Orion Publishing Group Ltd.

  Library of Congress Cataloging-in-Publication Data

  Names: Barnett, David, author.

  Title: Same time, same place : a novel / David M Barnett.

  Other titles: Handover

  Description: Naperville, Illinois : Sourcebooks Landmark, [2022]

  Identifiers: LCCN 2021037072 (print) | LCCN 2021037073 (ebook) | (trade paperback) | (epub)

  Subjects: LCGFT: Detective and mystery fiction.

  Classification: LCC PR6102.A7689 H36 2022 (print) | LCC PR6102.A7689

  (ebook) | DDC 823/.92--dc23

  LC record available at https://lccn.loc.gov/2021037072

  LC ebook record available at https://lccn.loc.gov/2021037073

  Contents

  Front Cover

  Title Page

  Copyright

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Reading Group Guide

  A Conversation with the Author

  Acknowledgments

  About the Author

  Back Cover

  To Charlie and Alice, as they stand

  on the threshold of the future.

  And for everyone who needs to get their Tigger on.

  I have stayed in Athens, and Athens is a marvelous city; I know my Paris, and Paris is not without fascination; I have been to Cairo, and bazaars of Cairo seemed to me so wonderful that I held my breath as I passed through them. But these places are not Manchester. They are not so glorious as Manchester, not so vital, not so romantic, and not so adventurous…

  Gerald Cumberland

  Set Down In Malice, 1919

  Chapter 1

  Daisy

  Before he even speaks, I know what he’s going to say. He just looks the type. He’s got a beard but one of those trendy, hipsterish things that you can buy wax and oil and all kinds of things for in Boots, not a wild, fluffy, bird’s nest of a beard like Uncle Alan used to have. He wears little round horn-rimmed glasses, and his face is shiny with moisturizer. I swear, there’s more things for men than women in Boots these days. His forehead doesn’t move when his eyebrows rise up over his glasses. I wonder if he’s had that Botox? They do that as well, these days, the men, don’t they? And look at her, the one he’s with. Hair done every month, probably costs more than I get paid in a week. Long camel coat. Shiny black boots.

  I wonder if I can sidle away from them, but he’s already fixed me with his piercing blue eyes, his waggling eyebrows not making a dent in the smooth tundra of his forehead. Here it comes.

  “What,” he says loudly, glancing sidelong at her so she knows there’s a good one on its way, “what on earth is a dinosaur doing in a museum of social history?”

  I look up at the collection of bones assembled on a podium at the center of the Horridge Wing, seven and a half meters from the tip of its tail to the end of its crocodile-like snout. To be honest, it’s not an unreasonable question. It’s just that I hear it about three times a week. And always from people like him.

  “Because,” he says and, I swear, he nudges her in the arm, “because the ones I saw on Jurassic Park weren’t what you’d exactly call sociable.”

  “We’re the Manchester Museum of Social History,” I mutter. “Not Sociable History.”

  They share a glance. They obviously thought I was going to collapse into a helpless heap of sobbing laughter. He looks back at me and we stare at each other for a bit. Then he says, “No, not sociable at all.”

  I start to tell them that I’m a security guard, not a museum guide, when I feel a presence at my shoulder, and their gazes shift up and over my head, just before a booming voice says, “Ah! You’ve found Barry, I see!”

  “Barry?” say the man and the woman together, as though almost fainting with relief that they don’t have to talk to me anymore. Nate steps in and points up at the skeleton. “Lived in the Early Cretaceous period, about a hundred and thirty million years ago. They found this one in a quarry up in Cumbria. Baryonyx, which means ‘heavy claw.’ But we just call him Barry.”

  No, we don’t. Only Nate calls the pile of old fossilized bones Barry. But their attention on Nate means I can wander away and stand by one of the glass cases filled with bits of Roman pottery and check my watch. Five past five. Nate is holding forth about Baryonyx, but I’ve heard it all before, a million times. He should have done the handover by now and clocked off. Nate’s a security guard, like me. He does nine in the morning until five in the afternoon, and I do five in the afternoon until one. Janice in reception seems to think this is hilarious, for some reason. If I had a pound for every time she’s said, “Daisy does nights and Nate does days… That’s
the wrong way around, isn’t it? It should be Daisy on days and Nate on nights!” followed by her silly, trilling laughter, then… I look up at the window, streaked with spring rain. Well, if I had a pound for every time Janice said that, then I could probably afford a holiday.

  Besides, it’s not actually true, is it? Yes, Nate does days, but I do more what you’d call evenings. Into the night, I suppose. The guard who does the shift after me, from one until nine in the morning, Harold, I suppose he does nights. Though, strictly speaking, you could say he does mornings as well. Until Nate clocks on.

  Nate, who is a security guard, not a museum guide, I note furiously once again as I check my watch. Ten past five. If he wants to be a museum guide, he should apply to be one. If he wants to be a security guard, he should stop banging on about dinosaurs and come and do the handover properly. You’d think he didn’t have a home to go to.

  I decide it’s worth risking being talked to by Mr. Hipster Beard again to go over and hurry Nate along. He’s just finishing up as I stand by him, and the man says, “Well, thank you, you’ve been very helpful.” He peers at Nate’s name badge. “Nate Garvey. Very helpful. Five stars on Tripadvisor, I think!”

  Then he looks at my badge, and I realize I should have just left them to it. “And you,” he says, then pauses long enough for the woman to wonder why he’s gone quiet, and to look at my badge too. He does a strange thing with his mouth, sucking in his lips, and his eyebrows dance. “And you, Daisy Dukes.”

  The woman tugs his arm, and if they think that just because they’re walking away with their backs to me I can’t hear them laughing, then they’re sorely mistaken.

  I’m not stupid. I know what Daisy Dukes are. They’re those tiny little cutoff denim shorts that I would be the absolute last person on the entire planet who would look anything remotely approaching “good” in. Named after that girl with the long hair and the long legs on that ancient American TV show, with the car and the sheriff. Ha ha, good joke. Dumpy little Daisy. Imagine her in a pair of teeny-weeny shorts?

  I glare daggers at the backs of the couple. If only they knew. If only they knew what I was really like. They would think twice about saying things like that.

  “Pay them no mind,” says Nate in his rumbly voice. It doesn’t help that he’s so tall, six and a half foot, I bet. It makes me look even smaller and dumpier next to him. Though I cross-referenced my height and weight on one of those body mass index charts and I’m of very healthy proportions. All those fruits and vegetables that Mother made us eat when we were kids. Never let us have fizzy pop, only had chocolate at Easter and Christmas. Almost makes up for her calling me Daisy when our surname was Dukes. Almost.

  “We need to do the handover,” I say crossly. “Your shift ended fifteen minutes ago.”

  Which means there’s just forty-five minutes left until the museum will close, everyone will leave, and I will be alone.

  I am very particular about the handover. It’s why I come into the museum precisely five minutes before my shift starts, so I can do it and not eat into Nate’s free time. I imagine he’s got a wife, and children, and will take the tram, or a bus, or maybe the train away from the Northern Quarter to his neat little home in the suburbs. At least, I assume it’s neat. I haven’t ever seen it, of course, nor asked him about it. I don’t come to work to chat.

  “Item one,” I say. “The Report.”

  Nate nods dutifully and scratches his chin. I mentally note that he could do with a shave, salt-and-pepper bristles making an audible skkkrtch sound under his fingernails. In fact, he could do with taking a little bit more care about his appearance all round, now I take a look at him. There’s a spot of dried gravy or bean juice on the front of his shirt, right at my eye level, and his tie is a little crooked. His top button is unfastened. We both wear the same uniform, black trousers, white shirt, black tie, and a black jacket if we need to go outside. If I can keep my shirts clean and ironed, with everything I’ve got going on in my life, I don’t see why Nate can’t do the same. I’m not talking beard wax and Botox, obviously; just a bit of self-respect. But it isn’t for me to say anything; I’m his colleague, not his boss.

  “Well?” I say, dragging my eyes from the spot on his shirt and up to his face, which is all scrunched up as though he’s a schoolboy trying to think of the right answer to a particularly perplexing math question.

  “There’s nothing really to report,” says Nate eventually.

  This obviously isn’t good enough. I instituted the handover so that the security team could share relevant intelligence from their shift that might impact on their colleagues. There’s always something to report.

  I have a small notepad, the sort that the police use, in my breast pocket, and I take it out and tap it with the end of my ballpoint pen. Nate watches it for a while, then seems to brighten up.

  “Oh! There were three kids hanging around the Malone Room this afternoon,” he says. “I had to tick ’em off for pressing their faces against the glass cabinet. The one with the naked lady in it.”

  Nate means the statuette of Aphrodite, circa 1865, from the collection of Theodore Malone, the museum’s founder and major benefactor in the nineteenth century.

  “Aphrodite,” says Nate, helpfully, as though I don’t know what he means, though I’m rather surprised that he knows, “springing full blown from the brow of Zeus.”

  “Yes, I am aware of that,” I say, making a note. “What time?”

  Nate shrugs. “Three-ish.”

  “Can’t you be more precise?”

  His wide shoulders rise and fall again. “Okay. Three-oh-seven.”

  I write it down. “Ages?”

  “Thirteen, I’d say,” Nate says with more certainty. I wonder if that’s the age of his children. “And they were wearing St. Mary’s badges on their blazers. Which were green.”

  Nate smiles hopefully down at me, putting me in mind of a dog waiting for a pat and a treat. Instead I give him a curt nod and say, “They shouldn’t have been out of school at that time. I’ll phone the head tomorrow.”

  “Well, you know, they weren’t causing trouble. Not really.”

  I put my notepad back in my breast pocket and glance at my watch. “I might see if I can print off some images from the CCTV as well, to email to the school. It’s almost twenty-five past; give me the flashlight and you can get off.”

  There’s an amused look in Nate’s eye which makes me cross, then he gives me a little salute and clicks the heels of his big size-twelve black shoes—which could do with a bit of a polish—together, which makes me even crosser. “I’ll just get it from the den,” he says.

  By “den” he means the security office. I don’t know why he has to make up stupid names for things, when they’ve got perfectly good names already, such as “security office” and “Baryonyx.” While he’s gone downstairs to get the flashlight I clear my throat and loudly tell the half a dozen people still loitering in the Horridge Wing that the museum is closing in half an hour.

  The flashlight is a big old rubber one with a bright beam and a satisfying weight to it. Mr. Meyer, the museum manager, once presented me with some high-tech flashlight—“newfangled,” Mother would call it—that had white LED bulbs and didn’t use batteries, but charged itself just by you walking around with it. I never took it out of the packaging. It’s still in a drawer in the security office. When a thing works perfectly fine as it is, why try to improve on it?

  When Nate comes back waving the flashlight, he’s wearing his black jacket with a thin green anorak over it. The Horridge Wing is empty now, and when he’s gone I’ll go and round up the stragglers in the other five halls and the café, and then I can get the museum closed up for the day.

  “Is it still nasty out there?” says Nate, zipping up his anorak.

  “It’s raining. Average for the time of year, I think.”

  “Well, I’ll
be off, then.” He’s standing there as though he’s waiting for something from me.

  I shrug and say, “Fine.” I’m never really sure what else is expected of me in these situations.

  Nate smiles and says, “Well, see you, then.”

  I watch him walk across the parquet floor and out of the double doors to the staircase, then I look up at the skeleton of Baryonyx. “Barry.” I shake my head and walk in the opposite direction from where Nate had gone, to the Malone Room, to check just how much of a mess these kids have made of the Aphrodite cabinet, so I can give the cleaners a proper report.

  On the way through I pass Mr. Hipster Beard and his partner. They both smile at me as we cross over. I don’t smile back. For reasons I can’t quite put my finger on, I’m bothered by them. It’s not the laughing behind their hands; I’m used to that, and worse. It’s not that they obviously earn more money than me, and have more expensive clothes, and better skincare products (even him). It’s…well, I think it’s because they look happy. And I can’t help wondering how that feels.

  Chapter 2

  Daisy

  By six o’clock I have ushered the few people still wandering the museum out to the double doors at the ground-floor entrance hall, where I wait patiently for the staff to leave so I can lock up and begin my rigorously planned itinerary of patrols for the evening.

  First out of the door, as ever, is Janice from reception. Today is one of her three full days; she also works some mornings, often on Saturdays and Sundays, when the museum is open until 1 p.m. There used to be a weekend security guard, but he left due to ill health just before I started here, and now there’s a private security firm that does sweeps of the museum every few hours. Mr. Meyer says he’s still looking for a weekend replacement, but it’s been six months at least now and there’s no sign of anyone starting.

  Janice has poker-straight brown hair and wears glasses with huge frames. She’s older than me, maybe forty or so. She pauses by the door and drops her shopping bags on the marble floor. Janice always seems to have three or four shopping bags with her, filled with I don’t know what. She winds a long leopard-print scarf around her neck and says to me, “Did Nate tell you about the party?”